#40 earthlings
The fortieth edition of Fotograf Magazine focuses on earthlings. As usual, it thus partly shares the theme of the Fotograf Festival, expanding on it through both theoretical and photographic contributions. The conviction that photography, as a recording medium, is only one of the many ways of capturing natural processes and observing changes in the climate stands at the core of the artworks and approaches introduced on the pages of the magazine. A related motif is the idea of the natural metabolism of the image and trust in the capacity to capture within it traces of the reality that is changing around us. This also has to do with the conviction that folk (or artistic), non-scientific practice can serve as a guide on how to depict the climate crisis and uncover the principles of terrestrialness.
#41 postdigital photography — Profiles
Filip Láb

Filip Láb, who died unexpectedly and prematurely in May 2021, was not only a prominent theorist and teacher of photography, but was also one of a generation of artists that dealt with the shift in political polarities and radical changes in the photographic paradigm…
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Eva and Franco Mattes

Two recent works by Eva and Franco Mattes – Personal Photographs (2019) and Nostalgia May 3, 2021 (2021) – invite us to see photographs, and their authors, as online platforms see them…
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Agnieszka Sejud

Apart from studying law in Wroclaw, the Polish author Agnieszka Sejud also studied at the Institute of Creative Photography in Opava. Her training, therefore, is in photography, even though she presents herself more as a visual artist and activist in her work, often as a member of the art duo KWAS, which she forms with her ICP classmate Karolina Wojtas…
Read moreTaste Fotograf #40
#41 postdigital photography — Profiles
Bára Mrázková

We see something, we don’t exactly know what. We want to find out; we enter the image into the search engine. It finds something, we don’t know exactly how, usually more or less the right thing…
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Sanaz Sohrabi

Although it might sometimes seem that way, photographs never exist in themselves. And this is doubly true of those made by machines or for archival or documentary purposes. As the art of Sanaz Sohrabi demonstrates, images (and particularly reproduced images) are part of often unwanted testimony embedded into dense nets of relationship…
Read moreContent
- ––– Intro
- earthlings
- ––– Wanted
- Elena Aya Bundurakis
- Michał Patycki
- ––– Project
- Martin Dušek
- Tomáš Hrůza
- Denisa Langrová, Ruta Putramentaite & Jonáš Richter
- ––– Profiles
- Katarína Poliačiková
- Daria Sazanovich
- Ge Viana
- Michal Kindernay
- Naoya Hatakeyma
- Eduardo Navarro
- Nico Alexandroff, Robert Zhao Renhui, Susan Schuppli
- ––– Interview
- Pausing, Becoming, Making Liveable
- ––– Theory
- The Planet As a Photographic Plate
- ––– Book reviews
- Modernist Magazines and the Social Ideal
- ––– Artist's Books
- Heroes - Artist Edition
- ––– Obituary
- Filip Láb: New Words for New Phenomena
Archive
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face