#10 Eroticon
Erotica has long lost the aura of taboo. What had originally been shrouded in secrecy, and then in turn became an omnipresent feature of everyday reality, was ultimately done to death, overused as a titillating selling point. Our selection of artists for the present issue wishes to cover a variety of approaches to eroticism in photography. As a result, we feature artists whose work is driven by an urge to document their intimate experiences – not necessarily eroticism, but passion. We do not wish to shock by exposing taboo or scandalous erotic pleasures. Instead, we wish to rehabilitate the erotic in photography, which has been trivialized by commercial and tabloid exploitation, as a legitimate and vibrant sphere of art.
#41 postdigital photography — Profiles
Filip Láb

Filip Láb, who died unexpectedly and prematurely in May 2021, was not only a prominent theorist and teacher of photography, but was also one of a generation of artists that dealt with the shift in political polarities and radical changes in the photographic paradigm…
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Eva and Franco Mattes

Two recent works by Eva and Franco Mattes – Personal Photographs (2019) and Nostalgia May 3, 2021 (2021) – invite us to see photographs, and their authors, as online platforms see them…
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Agnieszka Sejud

Apart from studying law in Wroclaw, the Polish author Agnieszka Sejud also studied at the Institute of Creative Photography in Opava. Her training, therefore, is in photography, even though she presents herself more as a visual artist and activist in her work, often as a member of the art duo KWAS, which she forms with her ICP classmate Karolina Wojtas…
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#41 postdigital photography — Profiles
Bára Mrázková

We see something, we don’t exactly know what. We want to find out; we enter the image into the search engine. It finds something, we don’t know exactly how, usually more or less the right thing…
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Sanaz Sohrabi

Although it might sometimes seem that way, photographs never exist in themselves. And this is doubly true of those made by machines or for archival or documentary purposes. As the art of Sanaz Sohrabi demonstrates, images (and particularly reproduced images) are part of often unwanted testimony embedded into dense nets of relationship…
Read moreContent
- ––– Editorial
- Editorial
- ––– Profiles
- Charles Cohen
- Lenka Klodová
- Slava Mogutin
- Noami Harris
- Adam Holý
- ––– Theory
- "Tatiana: I can take anything in bed"*
- Eroticism and sexuality in the photography of post-totalitarian Europe
- ––– Events
- History of FotoFest Houston: an interview with its founders
- Arles 2007
- Bratislava month of photography 2007
- ––– Reviews
- ...such is history...
- Out hunting mermaids
- Funke's Kolín 2007: Family
- How We Are: Photographing Britain from the 1840s to the Present
- The sufferings of Helmut Newton
- ––– History
- Idols modeled by men
- ––– Portfolios
- Tanja Ostojić
- Vlasta Delimar
- Michael E. Northrup
- Miroslav Tichý
- Jindřich Štyrský
- ––– Tendencies
- Lisa Byrne
- Veronika Daňhelová & Karla Hostašová
- Ryan Pfluger
- Dzmitry Kruhlou
- I love 69 popgejů
- Radeq Brousil
Archive
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face