#1 Face
Two types of absence are visualised in the meeting of the face with photography and of photography with the face: one is inherent to photography, and the other belongs solely to the face. The first is the Barthesian absence of the moment of taking the photograph that is lost in the instant when the light drafts the image in the photosensitive emulsion. From then on, the photographic image only stubbornly repeats this single, but inevitable and unquestionable assertion: this object has been here, but its reality consists precisely in that it is unreachable – it is a moment which has been and will never repeat itself again.
#41 postdigital photography — Profiles
Filip Láb

Filip Láb, who died unexpectedly and prematurely in May 2021, was not only a prominent theorist and teacher of photography, but was also one of a generation of artists that dealt with the shift in political polarities and radical changes in the photographic paradigm…
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Eva and Franco Mattes

Two recent works by Eva and Franco Mattes – Personal Photographs (2019) and Nostalgia May 3, 2021 (2021) – invite us to see photographs, and their authors, as online platforms see them…
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Agnieszka Sejud

Apart from studying law in Wroclaw, the Polish author Agnieszka Sejud also studied at the Institute of Creative Photography in Opava. Her training, therefore, is in photography, even though she presents herself more as a visual artist and activist in her work, often as a member of the art duo KWAS, which she forms with her ICP classmate Karolina Wojtas…
Read moreTaste Fotograf #40
#41 postdigital photography — Profiles
Bára Mrázková

We see something, we don’t exactly know what. We want to find out; we enter the image into the search engine. It finds something, we don’t know exactly how, usually more or less the right thing…
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Sanaz Sohrabi

Although it might sometimes seem that way, photographs never exist in themselves. And this is doubly true of those made by machines or for archival or documentary purposes. As the art of Sanaz Sohrabi demonstrates, images (and particularly reproduced images) are part of often unwanted testimony embedded into dense nets of relationship…
Read moreContent
- ––– Profiles
- Jolana Havelková
- Dita Pepe
- Lily Almog
- ––– Events
- Photographic Encounter in Arles
- Leica Gallery Prague
- The Network Conference and the 7th Summer School of Photography in Poprad
- Encontros da Imagem 2002 in Braga
- Fourth Photo Biennale in Moscow
- Photo Espaňa 2002 in Madrid
- The Manfred Heiting Collection at the Museum of Fine Arts in Houston
- Ninth FotoFest in Houston
- ––– Reviews
- Fototorst
- An Anthology of Five Generations of Slovak Photography
- Czech Photographic Avant-Garde 1918-1948
- A History of Photographic Portraiture
- Around Photography with Susan Sontag
- ––– History
- 1936: Photography and /history/ Structuralism on a Date in Prague
- ––– Portfolios
- Ivan Pinkava
- Fazal Sheikh
- Jitka Hanzlová
- Torben Eskerod
- Karel Novák
- ––– Survey
- Milena Slavická
- Tomáš Pospiszyl
- Tomáš Pospěch
- Martina Pachmanová
- Petr Nedoma
- Josef Moucha
- Jan Mlčoch
- Pavel Liška
- Karel Císař
- Vladimír Birgus
- ––– Tendencies
- Karin Müller
- Jan Freiberg
- Boris Missirkov & Georgi Bogdanov
- Vojtěch Vlk
- Jesper Alvaer
- Matthew Monteith
- Tomaž Gregorić
- Tereza Severová
Archive
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face