#16 Photography and Painting
Whereas, at the start of the 20th century photography had an indisputable complex from painting, at the end of the century the tide appeared to have turned. Many painters took up cameras and began to express themselves through photographs.
What is the actual bond between photographs and paintings and how does photography differ from its much older partner? To what limit should it go in an attempt to be as good as painting, or perhaps to exceed the latter artistically? Does this effort make any sense? Isn’t photography more powerful thanks to its authenticity, which allows it in contrast to other media to better accent elements such as ethos, spontaneity or the possibility of dissemination thanks to easy reproduction?
#41 postdigital photography — Profiles
Filip Láb

Filip Láb, who died unexpectedly and prematurely in May 2021, was not only a prominent theorist and teacher of photography, but was also one of a generation of artists that dealt with the shift in political polarities and radical changes in the photographic paradigm…
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Eva and Franco Mattes

Two recent works by Eva and Franco Mattes – Personal Photographs (2019) and Nostalgia May 3, 2021 (2021) – invite us to see photographs, and their authors, as online platforms see them…
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Agnieszka Sejud

Apart from studying law in Wroclaw, the Polish author Agnieszka Sejud also studied at the Institute of Creative Photography in Opava. Her training, therefore, is in photography, even though she presents herself more as a visual artist and activist in her work, often as a member of the art duo KWAS, which she forms with her ICP classmate Karolina Wojtas…
Read moreTaste Fotograf #40
#41 postdigital photography — Profiles
Bára Mrázková

We see something, we don’t exactly know what. We want to find out; we enter the image into the search engine. It finds something, we don’t know exactly how, usually more or less the right thing…
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Sanaz Sohrabi

Although it might sometimes seem that way, photographs never exist in themselves. And this is doubly true of those made by machines or for archival or documentary purposes. As the art of Sanaz Sohrabi demonstrates, images (and particularly reproduced images) are part of often unwanted testimony embedded into dense nets of relationship…
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- ––– Profiles
- Ladislav Babuščák
- Jan Kuděj
- Vojtěch Fröhlich
- Tereza Příhodová
- Dryden Goodwin
- Tom Hunter
- Radka Salcmannová
- Jindra Viková
- Běla Kolářová
- Dianne Kornberg
- Michal Pěchouček
- Akira Komoto
- Georges Rousse
- Rafał Bujnowski
- Daniel Pitín
- Theodor Pištěk
- Tereza Kabůrková
- David Stecker
- Vladimír Jindřich Bufka
- ––– Theory
- Photography and Visual Experience
- ––– Events
- Sommes-nous?
- Paris photo 2010
- Rencontres d'arles 2010
- ––– Reviews
- The Metaphysics of the Window
- The Magic of Župník's Realism
- Two Gnomes
- Czech Photography of the 20th Century
Archive
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face