Egemen Tuncer
Things in a Chamber
The project is based on CGI (computed generated imagery) still lifes,
which are re-created based on photographs previously taken in the
artist’s studio.
I have been always excited about the working environment as much
as the work itself. It is a natural process; the natural composition of things
that are being used in the background or anywhere else. Especially the
materials which might be found or purchased everywhere. This particular
approach is the main concept of the project. In general, the meaning of the
image is related to the use of the image; in other words, it is related to its
context. However, the images in this project do not use that sort of context;
what you see is what you get, basically. My recent works refer to reviving
these environments (in various mediums, such as real-size objects, models,
CGI) and their possible representation.
In the end, I created images of stereotypical places outside my studio.








#32 non-work
Content
- ––– Editorial
- Editorial
- ––– Introduction
- Introduction
- ––– Project
- Linear Doom
- ––– Profiles
- Carrie Mae Weems
- Agnieszka Polska
- Jakub Jansa
- José Antonio Hernández-Diez
- Jan Pfeiffer
- Daniela & Linda Dostálkovy
- Martina Mullaney
- Shawn Maximo
- Oliver Ressler
- Michele Borzoni
- Céline Berger
- Jirka Skála
- Danilo Correale
- Lars Tunbjörk
- ––– Interview
- Jennifer Lyn Morone with Tereza Jindrová
- ––– Discoveries
- Ines Karčáková
- Egemen Tuncer
- Luise Marchand
- ––– Theory
- The Aspirational Tourist Photographer
- Allan Sekula: Photography Between Discourse and Document
- ––– Events
- Photographs by Camera Clickers and Serious Amateurs
- MISS READ: Berlin Art Book Festival 2018
- Sicilian Lemons Actually Come from Burma Manifesta 12: The Planetary Garden
- ––– Fotograf Gallery
- Veronika Bromová, Dagmar Bromová and Pavel Brom
- Ondřej Vinš
- Viktor Kopasz
- Daniela & Linda Dostálková
- ––– Reviews
- The Poetic World of Everyday Life
- The Returns of Josef Koudelka
- Inadvertent Images: A History of Photographic Apparitions
- French History of Photography for the Twenty-First Century
- Tillmans' Jahresring 64
- A tribute to an (art)historian of photography
- The Temporality of (New) Media
Archive
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face