#19 Film
Fotograf magazine documents and helps to create the shape of Czech photographic and artistic scene and serves as a connection with the international panorama. Next issue of the FOTOGRAF magazine #19, with a main theme FILM will focus generally on the art of moving image and its representational impacts in a field of contemporary art and cinematography. Wide conception of the moving image phenomena and photography will be presented with a help of terms and concepts that rank among the key words (appropriation, illustration, sequence, rhythm, mise-en-scène, projection space etc.), that imply relation between two cultural and social systems (film & photography).
#41 postdigital photography — Profiles
Filip Láb

Filip Láb, who died unexpectedly and prematurely in May 2021, was not only a prominent theorist and teacher of photography, but was also one of a generation of artists that dealt with the shift in political polarities and radical changes in the photographic paradigm…
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Eva and Franco Mattes

Two recent works by Eva and Franco Mattes – Personal Photographs (2019) and Nostalgia May 3, 2021 (2021) – invite us to see photographs, and their authors, as online platforms see them…
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Agnieszka Sejud

Apart from studying law in Wroclaw, the Polish author Agnieszka Sejud also studied at the Institute of Creative Photography in Opava. Her training, therefore, is in photography, even though she presents herself more as a visual artist and activist in her work, often as a member of the art duo KWAS, which she forms with her ICP classmate Karolina Wojtas…
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#41 postdigital photography — Profiles
Bára Mrázková

We see something, we don’t exactly know what. We want to find out; we enter the image into the search engine. It finds something, we don’t know exactly how, usually more or less the right thing…
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Sanaz Sohrabi

Although it might sometimes seem that way, photographs never exist in themselves. And this is doubly true of those made by machines or for archival or documentary purposes. As the art of Sanaz Sohrabi demonstrates, images (and particularly reproduced images) are part of often unwanted testimony embedded into dense nets of relationship…
Read moreContent
- ––– Profiles
- Jan Brož
- Martin Kohout
- Mathias Poledna
- Tomáš Svoboda
- Martin Arnold
- Józef Robakowski
- Ville Lenkkeri
- Isabell Heimerdinger
- Anna Balážová & Katarína Hládeková
- Boris Rjeznikov
- Dorothee von Rechenberg
- Jiří Kotrla
- Lucia Sceranková
- David Lamelas
- Filip Cenek & Tereza Sochorová
- Viktor Takáč
- Candida Höfer
- Frederick Kiesler
- ––– Theory
- Photography's Expanded Field
- ––– Reviews
- A Photographic Exhibition, but Rather One of Paintings...
- The Message of a Forgotten Photographer
- The Poete Maudit of Photography
- Here at Last! - Czech Photography 1938-2000 in Reviews, Texts and Documents
- From the Rhetoric of the Image to Notes on the Index
- Dagmar Hochová
Archive
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face