#24 seeing is believing
The issue entitled “Seeing is Believing” tackles the imaginary space “through the mirror” which deals with phenomena existing on the margins of scientific knowledge. Here photography plays the role of medium, documentary record, witness, and even of a means of evidence which attests to paranormal phenomena, spiritism, decadence, thoughtography (“mental photography”) and so on. On the other hand, the nature of the theme also touches certain motifs of the visual arts, such as mirroring, ghost images, and trompe l’oeil, even branching into Surrealism. The issue will combine the aforementioned approaches and perspectives, hoping to provoke mediation on the relationship between the technological image and reality, and on the authenticity of the medium of photography itself.
#41 postdigital photography — Profiles
Filip Láb

Filip Láb, who died unexpectedly and prematurely in May 2021, was not only a prominent theorist and teacher of photography, but was also one of a generation of artists that dealt with the shift in political polarities and radical changes in the photographic paradigm…
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Eva and Franco Mattes

Two recent works by Eva and Franco Mattes – Personal Photographs (2019) and Nostalgia May 3, 2021 (2021) – invite us to see photographs, and their authors, as online platforms see them…
Read more#41 postdigital photography — Profiles
Agnieszka Sejud

Apart from studying law in Wroclaw, the Polish author Agnieszka Sejud also studied at the Institute of Creative Photography in Opava. Her training, therefore, is in photography, even though she presents herself more as a visual artist and activist in her work, often as a member of the art duo KWAS, which she forms with her ICP classmate Karolina Wojtas…
Read moreTaste Fotograf #40
#41 postdigital photography — Profiles
Bára Mrázková

We see something, we don’t exactly know what. We want to find out; we enter the image into the search engine. It finds something, we don’t know exactly how, usually more or less the right thing…
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Sanaz Sohrabi

Although it might sometimes seem that way, photographs never exist in themselves. And this is doubly true of those made by machines or for archival or documentary purposes. As the art of Sanaz Sohrabi demonstrates, images (and particularly reproduced images) are part of often unwanted testimony embedded into dense nets of relationship…
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- ––– Project
- Dominik Gajarský
- ––– Profiles
- František Vobecký
- Emir Šehanović
- Paul Bogaers
- Jiří Černický
- Junsheng Zhou
- Mário Bihári & Björn Steinz
- František Drtikol
- Taiyo Onorato a Nico Krebs
- Július Koller
- Michal Heiman
- Gerard Byrne
- Christoph Keller
- Asger Carlsen
- Ryan Thompson
- Raplh Eugene Meatyard
- Tomokichi Fukurai
- ––– Discoveries
- Michael Borek
- Bastienne Schmidt
- Katarína Hrušková
- ––– Theory
- Materialization and Photographic Evidence
- ––– Events
- Les Rencontres d'Arles 2014
- ––– Fotograf Gallery
- Dušan Skala's and Jan Freiberg's Slow Photography
- Pavel Hečko
- Kateřina Zochová
- Václav Magid
- ––– Reviews
- Preserving the Legacy
- Jaroslav Rössler Avant-Garde Photographer
- Vladimír Birgus Photographs 1972-2014
- Present Day Critical Documentary Strategies
- Photography and Non-Photography
- Tales of Ancient Photographers
- How to Think About the Theory of Photography in the Czech Context?
- The Lives of Images
Archive
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face