Tomáš Hrůza
Searching for the Source
“And the bare tree, robbed of all its fruit, spreading its dark, crooked branches into the freezing air of the late fall, was like an old sage, deep in a precipitous dream over the mystery of his being, and therefore apathetic to his surroundings…”1
In his artistic work, Tomáš Hrůza employs the media of photography and video as the most prominent ones. His interest lies mostly in a poetic reflection on nature and environmentally-driven motifs. Drawing upon that combination,
his projects eventually follow the existentially-oriented situations.
1In: Jan Vrba, Borovice (Pine Trees). Prague: Československý spisovatel, 1958.
#40 earthlings
€16
Content
- ––– Intro
- earthlings
- ––– Wanted
- Elena Aya Bundurakis
- Michał Patycki
- ––– Project
- Martin Dušek
- Tomáš Hrůza
- Denisa Langrová, Ruta Putramentaite & Jonáš Richter
- ––– Profiles
- Katarína Poliačiková
- Daria Sazanovich
- Ge Viana
- Michal Kindernay
- Naoya Hatakeyma
- Eduardo Navarro
- Nico Alexandroff, Robert Zhao Renhui, Susan Schuppli
- ––– Interview
- Pausing, Becoming, Making Liveable
- ––– Theory
- The Planet As a Photographic Plate
- ––– Book reviews
- Modernist Magazines and the Social Ideal
- ––– Artist's Books
- Heroes - Artist Edition
- ––– Obituary
- Filip Láb: New Words for New Phenomena
Archive
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face