Fotograf Magazine

Alžběta Diringerová

… well sometimes it was used as an aid for drawing, but also it was used to copy some things and gradually it sped up at a terrible pace. Yes, and of course there was experimenting and when it looked interesting, someone at once declared it art. Yes, and then politics, war, discussions on truth and manipulation got involved … you know, don’t you? It’s just that, hell, you don’t find out if the soldier is dying or filming. If it were painted then it wouldn’t piss you off. Yeah, and then you get in front of the lens and you want to photograph yourself. You stare at it and you make crazy faces, as if that were the truth. So you take more and more pictures and still something bothers you. So you go shoot other people.

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z cyklu Nemám sourozence a mám ráda Nan Goldin, 2008
z cyklu Nemám sourozence a mám ráda Nan Goldin, 2008