Fotograf Magazine

The work of German photographer Candida Höfer divides, in an interesting way, the art and art theoretical scenes. Whereas a majority of the specialized public enthusiastically accepts the monumental and, in a positive sense of the word, elitist character of her photographic oeuvre, it strikes the others as spectacular and coldly decadent…

On February 1, 1929, the Film Guild Cinema opened at 52 W. 8th St. in Greenwich Village, New York City. In the promotion materials, invitation and short press releases published on the occasion of its inauguration, it was billed as The First 100% Cinema in the United States…

Józef Robakowski is a Polish media artist; a creator of numerous experimental films, videos, photographs, installations, objects, drawings and documentaries on art. He is equally active as the author of theoretical texts and as a pedagogue; an organiser of varied multi-media events and he has been involved in the establishment of experimental groups and associations (including ZERO-61 (1961–1969), WARSZTAT FORMY FILMOWEJ (1970– present))…

Already at first glance, Martin Kohout’s work is not easy to interpret. The author himself, in an interview for Czech Radio in 2009, compared its [his work’s] reception to multiple readings of one book…

When asked to define the film he was working on at the time for the catalogue of Modernologias, Mathias Poledna described it as being “A kind of choreography of objects that traces the outlines of and transitions between, typology, historicity, abstraction, historical documentation and an aesthetic of commerce…

Autorskou tvorbu Tomáše Svobody charakterizuje konceptuální zacházení se zvoleným médiem. Ať už pracuje s malbou, fotografií, filmem, performancí či jiným způsobem umělecké akce, zaujímá strukturalistické hledisko, v němž se médium jeví jako určitý znakový systém…