Fotograf Magazine

Kunsthalle Wien crowned their 2018 dramaturgy with the exhibition project Antarctica, tackling the sociological term “alienation,” prominently present in the work of Michelangelo Antonioni, whose quote about moving glaciers opened the whole show…

The expression of discontent is part of the perpetual balancing of interests between the ruling apparatus and the general public. However, the political regime of Alexander Lukashenko supresses the manifestations of the Belarusian public, resulting in the erosion of the society and its continual pursuit of change…

V textu The Perfect Con z roku 2016 pro e-flux journal se Mari Bastashevski zamýšlí nad možnostmi institucionální kritiky v umění. Úvahou nad důležitostí nerezignovat na vývoj kritických strategií uzavírá esej, v níž shrnuje své působení v rámci umělecké rezidence na lodi izraelské námořní společnosti ZIM, jednoho z největších globálních lodních dopravců…

“Revital Cohen and Tuur Van Balen work across objects, installation, and film that explore process of production as cultural, personal, and political practices.” The fact that in the brief profile in the heading of their website Revital Cohen and Tuur Van Balen, an artistic duo with Israeli and Belgian roots respectively, speak about “production” and “practices” and not artistic work is certainly not without significance…

When Seba Kurtis (1974) photographs migrants and their stories through the lens of his 5×4 camera, his images hint at a subconscious experience. His photos remind the general spectator of traveling; however, they are a confrontation with the hidden side of a problem, which is taking place not far from our daily lives in Europe as well as in many other parts of the world…

A seemingly lonely girl below the cliffs of Manhattan skyscrapers is anxiously watching something hidden behind the film still frame… The probably most often reproduced photograph from the Untitled Film Stills series by Cindy Sherman is a classic of piece of feminist art today…