Fotograf Magazine

An oven mitt, a pedestal, a marshmallow, and an egomaniac are the
elements with which Tereza Bonaventurová works in her series Decent
Deviation. Whilst in her other works, her primary focus is on reflections
about public space, bizarre situations in architecture and urban planning, or
the alternative depiction of vulgarised tourist destinations, in the mentioned
Decent Deviation (2014), although it is also close to photographic
minimalism, her impersonal perspective and subtle humour appear in
a different form. The artist touches on games with sexuality and portraying
the body and corporeality in photography.