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#6 The Recycle Image

The appropriation of photographs, simple or sophisticated, stylized in the format of family or personal album, is generally well-received by larger audiences. It carries the delightful moment of informality or “naiveté”, which makes them acceptable to many of those who are bored by the excessive sophistication of postmodernism. Many artists currently recycle either amateur photographs or images notorious from the media. Others work with the family album format, historical photographs, or use various methods of recycling existing photographs. The multiplicity of approaches in this form of working with photography prompted the decision to make it the subject of the present issue of Fotograf Magazine.  

Taste Fotograf #36

#36 new utopias — Profiles

Nomadic State

Like every utopia, Nomadic State is a country you can’t find in one particular place. It is not located on an offshore platform or a small island bought by a billionaire longing for his private kingdom…

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#36 new utopias — Profiles

Kiluanji Kia Henda

The nuanced work of Angolan artist Kiluanji Kia Henda addresses the hopes of decolonizing Angola, Angola under socialism as well as the country’s present day, looking out to its possible futures—both global and retrospective ones…

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#36 new utopias — Profiles

Thierry Geoffroy / Colonel

Unsettling questions and statements written on camping tents that are placed in the gallery or in public spaces have become one of the trademarks of the artistic dialogue with which Thierry Geoffroy addresses his audience…

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#36 new utopias — Profiles

Apart

Literally overnight, all those meticulously scheduled plans for the next couple of months evaporated from our shared and personal calendars…

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The Recycle Image
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