Libuše Jarcovjáková
Ziellos
People are strange when you’re a stranger
Faces look ugly when you’re alone
Women seem wicked when you’re unwanted
Streets are uneven when you’re down
The Doors – People Are Strange
“I have climbed up a tree; I see beautiful apples that remain out of reach, but I am closer to them than if I were to climb down… I must continue to climb, even at the risk of falling,” she writes in her diary in 1986. Libuše Jarcovjáková has climbed up a tree many times in this way and has mostly come crashing down. As soon as she emigrated to join her fake bridegroom in West Berlin, a Mercedes hit her and she started her five-year stay in a new culture alone, with metal pins in her ankle and a debt of 5,000 marks. She travelled to Tokyo to visit a friend, who, suffering from postpartum psychosis, still in her pyjamas, had started to arrange for Jarcovjáková to emigrate even though no one asked her to. The friend was hospitalised, but as soon as Jarcovjáková started to carve a niche for herself in Japanese fashion photography, visa policies pushed her back into the position of a zimmermädchen who did not earn enough to buy coal for her stove. Back in Prague, “They immediately took away my passport, saying ‘You’ll never travel anywhere again.’ That made me even more determined and I told myself that I wouldn’t stay here; that I would just have to try a bigger pond.” Crashing through a window headfirst, depression, wanderlust.
#26 documentary strategies
Content
- ––– Profiles
- Taryn Simon
- Rhea Karam
- Martin Errichiello & Filippo Menichetti
- Rafał Milach
- Jan Jindra
- Open Group
- Adam Broomberg & Oliver Chanarin
- Ivan Kyncl
- Trevor Paglen
- Eric Baudelaire
- Akram Zaatari
- Libuše Jarcovjáková
- WassinkLundgren
- Mark Strandquist
- Alfredo Jaar
- Pavel Štecha
- ––– Interview
- Metrography - the first independent photo agency in Iraq
- ––– Discoveries
- Nicolas Idée
- Kris Lemsalu
- Jaap Scheeren
- ––– Theory
- Civil Imagination: A Political Ontology of Photography
- ––– Events
- Jan Lukas Centenary
- Rencontres d'Arles 2015
- ––– Fotograf Gallery
- Martin Horák
- Anna Hulačová & Viktor Takáč
- Vladimír Skrepl
- ––– Reviews
- On the Uniqueness and Reproduction of the Photographic Image
- The Alphabet of Things: Notes on Modern and Contemporary Art
- Bringing to Light
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face