Fotograf Magazine

Four years ago no one in the Czech Republic spoke much of Běla Kolářová. The same held true abroad, where she for a long time was placed in the international context by one person: Antonín Dufek…

In 2004 Denisa Kera wrote about the paintings of Daniel Pitín describing them as specific pictorial “critique and image interpretation.”1 In this she drew on his series of images devoted to Alfred Hitchcock films…

DC: The relationship between drawing and photography as two means of imaging, but also communication, became the basis of your work. Could you please elaborate on the essence of this relationship? At first glance this can appear to be a difficult connection…

In abandoned buildings across the world, before their destruction or their renovation, Georges Rousse has worked and installed his darkroom for more than 20 years. He has set up his nomad workshop in places into which he has infused new life and given it a new history…

The phenomenon of “new painting from Poland” was born more than a decade ago. And despite the fact that it does not cultivate any unified style, that it does not create a group and that it works in a diffused manner, on the international scene it is brought together by its special humour and high quality…

Provided this issue of the magazine discusses the relationship between photography and painting, in the Czech milieu one cannot forget (and on an international scale one cannot not point out) the work of Theodor Pištěk…