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#1 Face

Two types of absence are visualised in the meeting of the face with photography and of photography with the face: one is inherent to photography, and the other belongs solely to the face. The first is the Barthesian absence of the moment of taking the photograph that is lost in the instant when the light drafts the image in the photosensitive emulsion. From then on, the photographic image only stubbornly repeats this single, but inevitable and unquestionable assertion: this object has been here, but its reality consists precisely in that it is unreachable – it is a moment which has been and will never repeat itself again.

#40 earthlings — Profiles

Nico Alexandroff, Robert Zhao Renhui, Susan Schuppli

The artistic practices of Nico Alexandroff, Robert Zhao Renhui and Susan Schuppli, where glacial sampling and analysis exist alongside the photographic, are presented together, where they have formed into something synthetic, something not yet clear but deeply promising in their capacity to perform multiple functions at once…

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Taste Fotograf #40

#40 earthlings — Profiles

Naoya Hatakeyma

The traces of human intervention in the landscape, the extraction of raw materials and the development of our built environment are at the focus of a Japanese photographer celebrated for a series that shows spectacular explosions in limestone quarries…

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#40 earthlings — Profiles

Katarína Poliačiková

How can we relate to the history of Planet Earth through art? Katarína Poliačiková uses scientific knowledge and applies herself to research in her own practice, but what remains crucial for her is the personal perspective that provides facts with new meaning…

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