Fotograf Magazine

The work of Sin Wai Kin explores storytelling as a means to interrogate binaries and create fantasy narratives, which interrupt normative processes of desire, identification, and objectification. Extending their ongoing project of using drag as a medium of embodied speculative fiction and drawing on personal experiences of existing beyond categories, Sin’s practice pivots around performance, moving image, writing and print to question idealised images, constructed identities and binary conceptions of consciousness.