Jiří Thýn
From the Personal to the Public and Back
The title of the present article is a paraphrase of a lecture delivered by Jiří Thýn when presenting his work in U Mloka Gallery in Olomouc in 2007. The title of his lecture, in turn, was a modified quote of the curator of the photography collections of the Museum of Decorative Arts in Prague, the action artist Jan Mlčoch. From the Personal to the Public was the title of an interview with Jan Mlčoch published by the group Ládví, in which he reminisces about his last actionist performance in 1980, whereby he turned the De Appel Gdallery in Amsterdam into a public dormitory. It might be apt to cite the full passage describing the sea-change in thinking that made Mlčoch terminate his career as artist, which inspired the title of the interview: “At that point I lost interest in these I-me-mine things from the early seventies, I went in the opposite direction and was interested in the Salvation Army, or missionary activities. I read the letters of the Baroque-era missionaries from South America, and such things. That’s what I was into back then. To put it simply, departing from the personal approach and towards the public.” For the sake of completeness one should add that Jiří Thýn was member of Ládví and he was involved in both the interview and its subsequent editing.
#21 On Photography
Content
- ––– Profiles
- Ľubomír Lukčo
- Hynek Alt & Aleksandra Vajd
- Jiří Thýn
- Petra Feriancová
- Louis Porter
- Mikołaj Długosz
- Rabih Mroué
- Jan Tichý
- Marcel Stecker
- Jaromír Novotný
- Christopher Williams
- Hans Aarsman
- Vilém Reichmann
- Ted Serios
- Kristofer Paetau
- Václav Kopecký
- ––– Discoveries
- Tereza Zelenková
- Veronika Markovičová
- Ian van Coller
- ––– Theory
- The Photographic Dimension
- ––– Events
- Pařížský Měsíc fotografie a Paris Photo 2012
- ––– Fotograf Gallery
- Alexey Klyuykov a Vasil Artamonov: Poušť
- Martin Kochan, host Cyril Blažo
- Filip Cenek & Josef Dabernig: poetry in stadiums
- Michal Ureš: Samaritaine blanc
- ––– Reviews
- Photography and the Narrow Straits of the Ph Factor
- The Peculiarity of the Seidel Company
- Despite the photography speaks falsely, it also speaks the truth
- ––– Story
- The Adventure of a Photographer
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face