Fotograf Magazine

Gabriele Stötzer

The Collective as Liberation

Gabriele Stötzer’s collaborative performances stand out from the practices of the late GDR’s artistic underground. They string together elaborations of the collective or the political, the (female*) body, and of art, in ways that challenged configurations of art and the political in 1980s GDR. Today they challenge understandings of “East German non-conforming art”, that stress the individualism and autonomy of such works.

To read the entire article, order
#37 Uneven ground

#37 Uneven ground


In stock