Julie Hrnčířová
Being discarded, being banished
Comparing two – at first glance distinct, even contradictory – projects by Julie Hrnčířová highlights the bottom lines of works oriented towards precariousness.
#43 collecting
€16
Content
- ––– Collecting special
- The Beginner Collector's Guide to Photography
- Survey: Yes to Photography
- Why Collect Photography?
- ––– Intro
- Collecting - special 20th anniversary issue
- ––– Topic
- The Infinity of Lists
- ––– Wanted
- Lesia Vasilčenko
- Michaela Nagyidaiová
- Adam Evans
- ––– Profiles
- Kvet Nguyen
- Julie Hrnčířová
- Jan Durina
- DUNA
- Polina Davydenko
- ––– Interview
- Reading Glasses or 3D Glasses?
- Interview with Sven Eisenhut, the Director of Photo Basel
- ––– Theory
- Photography is on the rise
- ––– Book reviews
- Průvodce neklidným územím
- Museums and Wealth
- To Be Determined
- Curating Digital Art
- You Can Be a Wealthy Art Collector in the Digital Age
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face
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