Kristofer Paetau
picturepeople #01: The Shadow of a Photographer
you
should not be there.
you
are not there. not all.
not quite.
yet
you can be seen
seeing
watching.
we could not see but for your seeing.
everything we see could be different.
Ludwig Wittgenstein, Tractatus Logico-Philosophicus, 5. 634.
This sixty-piece collection of photographic cycles emerged as the result of e-mail correspondence between the writer Rüdiger Heinz and the artist Kristofer Paetau. Over the course of five years, they sent one another found amateur photographs of varying quality and age, accompanied by explanatory notes. Heinz and Paetau define the underlying principle of their collages as re-contextualization. This refers not only to the juxtaposition of originally incongruous images, but also their relationship to the accompanying text as a tool for understanding the cycle. The choice of subject matter appears random. Faces with a black spot, men with a deer, figures bidding each other farewell, miserable children as well as animal kisses. The accompanying texts make recourse to popular culture, the Holy Bible, or the leading lights of contemporary philosophy (e. g. Deleuze and Guattari). The connection of all the cycles is the theme of peculiar social phenomena. For what else can you call children clad in superhero costumes, or grown men wielding the artificial arms of the comic book character Hulk, or photographs of people with a koala.
#21 On Photography
Content
- ––– Profiles
- Ľubomír Lukčo
- Hynek Alt & Aleksandra Vajd
- Jiří Thýn
- Petra Feriancová
- Louis Porter
- Mikołaj Długosz
- Rabih Mroué
- Jan Tichý
- Marcel Stecker
- Jaromír Novotný
- Christopher Williams
- Hans Aarsman
- Vilém Reichmann
- Ted Serios
- Kristofer Paetau
- Václav Kopecký
- ––– Discoveries
- Tereza Zelenková
- Veronika Markovičová
- Ian van Coller
- ––– Theory
- The Photographic Dimension
- ––– Events
- Pařížský Měsíc fotografie a Paris Photo 2012
- ––– Fotograf Gallery
- Alexey Klyuykov a Vasil Artamonov: Poušť
- Martin Kochan, host Cyril Blažo
- Filip Cenek & Josef Dabernig: poetry in stadiums
- Michal Ureš: Samaritaine blanc
- ––– Reviews
- Photography and the Narrow Straits of the Ph Factor
- The Peculiarity of the Seidel Company
- Despite the photography speaks falsely, it also speaks the truth
- ––– Story
- The Adventure of a Photographer
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face