Ted Serios
Thoughtography – An Open Story with a New Ending?
Telepathy and clairvoyance are generally not regarded as something experienced on an everyday basis. Perhaps even less common are psycho-kinetic phenomena, among which can be ranked also mental photographs, for even here there is an influence exercised upon matter. It is a highly rare phenomenon, recorded as occurring in only a handful people around the world.
In 1961 in Chicago the eminent American psychiatrist and psychoanalyst Jule Eisenbud (1908–1999), associate professor at Columbia University, and eventually professor of psychiatry at the University of Colorado in Denver, first met Ted Serios, a common man possessed of astonishing powers. Apart from a predilection for alcohol, this out-of work bellhop was already aware for several years that when he focused his gaze into the camera lens, he was able to project his mental image upon the film. He could make the picture taken show a different image than would correspond to the actual camera angle. Though these pictures often turned out to be mere under-exposed blackies, or totally over-exposed whities, there were still a number of instances when there emerged a structure or image. In some cases these were rather successful, in most of the rest they were at least recognizable and identifiable. Most often black-and-white images were taken, but exceptionally also color ones.
#21 On Photography
Content
- ––– Profiles
- Ľubomír Lukčo
- Hynek Alt & Aleksandra Vajd
- Jiří Thýn
- Petra Feriancová
- Louis Porter
- Mikołaj Długosz
- Rabih Mroué
- Jan Tichý
- Marcel Stecker
- Jaromír Novotný
- Christopher Williams
- Hans Aarsman
- Vilém Reichmann
- Ted Serios
- Kristofer Paetau
- Václav Kopecký
- ––– Discoveries
- Tereza Zelenková
- Veronika Markovičová
- Ian van Coller
- ––– Theory
- The Photographic Dimension
- ––– Events
- Pařížský Měsíc fotografie a Paris Photo 2012
- ––– Fotograf Gallery
- Alexey Klyuykov a Vasil Artamonov: Poušť
- Martin Kochan, host Cyril Blažo
- Filip Cenek & Josef Dabernig: poetry in stadiums
- Michal Ureš: Samaritaine blanc
- ––– Reviews
- Photography and the Narrow Straits of the Ph Factor
- The Peculiarity of the Seidel Company
- Despite the photography speaks falsely, it also speaks the truth
- ––– Story
- The Adventure of a Photographer
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face