#30 eye in the sky
The edition entitled Eye in the Sky reverts the digital focus of the Fotograf Festival back into the form of its predecessor – a printed magazine. When, on a daily basis, the chaos of internet browsing redefines our nerve endings and the ability to perceive the linear flow of text, and consequently everything remains suspended in imaginary clouds, our magazine’s pages place an accent on the previously standard form of narrative – one that has a beginning and an end, no matter how open. It scans through the timeline documenting the revolutions of age-old humanity, or, more precisely, the concept that we have learned to call humanity. From pigeons equipped with early cameras, circling over cities and people at the start of the modern era, taking fuzzy pictures of the urban landscape, to a stratosphere overflowing with hi-res imagers and endless streams of data. From literature to the continuous stream of social networks. From the collective or the individual to the globally unified. Despite the natural limitations of its medium, Fotograf Magazine expands the field of interest exploring the issues associated with the ubiquitous connection to the internet.
Content
- ––– Editorial
- Editorial
- ––– Project
- Marie Lukáčová
- ––– Profiles
- Zach Blas
- Metahaven
- Anna Slama & Marek Delong
- Britta Thie
- Julius Neubronner
- Vito Acconci
- Sophie Calle
- Federico Díaz
- Pam Skelton
- Oskar Helcel
- Jules Spinatsch
- Silver
- Štěpánka Sigmundová
- Barbora Kleinhamplová
- Josephine Pryde
- Vojtěch Rada
- ––– Interview
- Interview with eeefff (Dzina Zhuk and Nicolay Spesivtsev)
- ––– Discoveries
- Zuzana Fedorová
- Viacheslav Poliakov
- ––– Theory
- Bring them to the Light
- Forward to Real Life
- False Alarm
- Simulation: Forking at Perfection
- ––– Events
- Positive Misinterpretation - documenta 14
- Critical Issues in Photography Today
- Jan Malý, See Also...
- ––– Fotograf Gallery
- Zuzana Šrámková
- Vladimír Havlík
- Rudolf Skopec
- Tomáš Hrůza
- ––– Reviews
- Astro Noise: A Survival Guide for Living Under Total Surveillance
- Between Images: Media Methods Used by Jaroslav Kučera
- Before Pictures
- Beyond Objecthood
- When I Was a Photographer
- Apocalypse Me
- Bauhaus and Czechoslovakia 1919-1938. Students, Concepts, Contacts.
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face