Emir Šehanović
Photography and Bosnian Witchcraft
The culture of the Balkan region, and Bosnia-Herzegovina in particular, has been formed by its unique history and a web of authentic traditions. The art which springs from this environment – including photography – rigorously pays homage to these ancestral roots, although this may not always be obvious at first. Localities such as Tuzla (Bosnia), the birthplace of Emir Šehanović (b. 1981), in fact are among the cradles of European civilization. The cosmogenic notions of the ancient denizens of the region, embodied by deities representing the elements, as well as the structured polytheism of the Illyrians who arrived in the area after them, which combined a cult of agriculture and fertility with the matriarchal features of care and protection, all naturally fused with Graeco-Roman and Celtic religious notions. Subsequently, from the early Middle Ages, there spread across the territory of what is today Bosnia and Herzegovina the activities of the Gnostic sect of the Bogomils, which transformed into what became known within Christianity as the “Bosnian heresy”, whose adherents would later, after the expansion of the Ottoman empire, mostly convert to Islam. Thus the specific line of Bosnian Islam, as well as the rituals of the contemporary Orthodox Church, display echoes of pagan rites. Another specific trait of local color in Bosnia which has been passed down through the female line of succession for centuries is traditional medicine and faith healing, represented by rituals for the protection against evil spells, counteracting evil curses, telling the future, or communication with spirits, which often borders on the magic or the occult. In the 20th century, the influences of Central-European spiritualism also spread across the Balkans (first after the annexation of Bosnia and Herzegovina by Austria-Hungary, and then after the First World War with the emergence of the Kingdom of Yugoslavia); for instance through the activities of the spiritualist society New Sun, based in Osijek, which at the turn of the 20th century conducted lectures on reincarnation, telepathy, telekinesis, communication with astral beings, and the like.
#24 seeing is believing
Content
- ––– Project
- Dominik Gajarský
- ––– Profiles
- František Vobecký
- Emir Šehanović
- Paul Bogaers
- Jiří Černický
- Junsheng Zhou
- Mário Bihári & Björn Steinz
- František Drtikol
- Taiyo Onorato a Nico Krebs
- Július Koller
- Michal Heiman
- Gerard Byrne
- Christoph Keller
- Asger Carlsen
- Ryan Thompson
- Raplh Eugene Meatyard
- Tomokichi Fukurai
- ––– Discoveries
- Michael Borek
- Bastienne Schmidt
- Katarína Hrušková
- ––– Theory
- Materialization and Photographic Evidence
- ––– Events
- Les Rencontres d'Arles 2014
- ––– Fotograf Gallery
- Dušan Skala's and Jan Freiberg's Slow Photography
- Pavel Hečko
- Kateřina Zochová
- Václav Magid
- ––– Reviews
- Preserving the Legacy
- Jaroslav Rössler Avant-Garde Photographer
- Vladimír Birgus Photographs 1972-2014
- Present Day Critical Documentary Strategies
- Photography and Non-Photography
- Tales of Ancient Photographers
- How to Think About the Theory of Photography in the Czech Context?
- The Lives of Images
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face