Tina Bara
poetry of the inconspicuos
Mimetic behavior should be considered as conditio humana, but it is only in the difference between the imitation and the imitated that individuality really comes into being, and if we are speaking about art, the imaginative or creative quality. Still, it remains open as to whether an emphatic divergence does not make a “conformist of otherness” /1 out of its prota- ganist – a question that may be posed with the photographs of Tina Bara.
#4 Intimacy
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Content
- ––– Profiles
- Martina Mullaney
- Phoebe Maas
- Peter Janáčik
- Hynek Alt & Saša Vajd
- Delphine Kreuter
- ––– Events
- Photo-London
- Fotobienalle Moscow 2004
- 35th recontres d'arles
- Fotofest Houston
- ––– Reviews
- Ivan Pinkava
- Panoramic Vision in Grey
- Unheard Voices
- Photography?? Photography!!
- An Absolute Photographer
- Breath of the Cosmos
- ––– History
- The Witness Pavel Štecha >
- Zdeněk Tmej: Story without a Happy Ending
- The american dream of Alexander Hammid
- The Primer of Postmodernism: Josef Sudek
- ––– Portfolios
- Tina Bara
- Markéta Othová
- Bohdan Holomíček
- Juraj Lipscher
- Jan Svoboda
- ––– Tendencies
- Barbora Kuklíková
- Sylva Francová
- Tereza Kabůrková
- 1+1
- Silvie Milková
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face