How Can the Spirit of Free Creativity and Community Connection be Preserved During a Pandemic and at a Time When Knowledge Is Made into an Economy?
Visual Studies Workshop (henceforth VSW) is an art-educational institution whose comprehensive mode of working offers a significant inspiration to today’s search for new forms of cultural organization. All VSW activities depend on close community cooperation. Whether it be students, creators, or various public groups, VSW’s communication strategy always presents a sensitive dialogue and an effort for participatory and horizontally planned action. In the American city of Rochester, where VSW has been based since its founding in 1969, the institution stands as a supposed alternative to the local Rochester Institute of Technology, one of the most important schools of visual art and culture in North America. VSW also inevitably interacts with the city’s rich cultural history, which be- came the headquarters of Kodak and Xerox during the twentieth century.
#38 death, when you think about it
In stock
Content
- ––– Topic
- Do you all just cry there?
- ––– Autorské knihy
- By the Sea: Photographs from the North East, 1976-1980
- Anonym 1968-1984
- Did You Know?
- White Gaze
- Peeing in Public: An inventory of the Wildest Urinators
- Myself, friends, lovers and others
- ––– Intro
- Death, when you think about it
- ––– Wanted
- Benedek Regős
- Gvantsa Jishkariani
- Pamela Kuťáková
- ––– Project
- Noémi Szécsi
- Dóri Lázár
- Jana Bernartová
- ––– Profiles
- Teresa Margolles
- Tereza Zelenková
- Urszula Kluz-Knopek
- Korakrit Arunanondchai
- Dalibor Chatrný
- Andrey Anro
- The Party of the Dead
- Kairus
- Oreet Ashery
- ––– Interview
- Interview with Carl Öhman by Kateřina Marková Data of the Dead: What We Leave Behind for Future Generations
- ––– Theory
- To Live the Coming Death
- ––– Events
- Letters from the Pandemic Era
- ––– Institution profile
- How Can the Spirit of Free Creativity and Community Connection be Preserved During a Pandemic and at a Time When Knowledge Is Made into an Economy?
- ––– Exhibition
- Between Worlds
- ––– Book reviews
- Incalculable Loss
- Refocusing Ethnographic Museums Through Oceanic Lenses
- The Metabolic Museum
- Invisible Museum
- The Imagination of Otherness
- Potential History: Unlearning Imperialism
- ––– Artist's Books
- By the Sea: Photographs from the North East, 1976-1980
- Anonym 1968-1984
- Did You Know?
- White Gaze
- Peeing in Public: An inventory of the Wildest Urinators
- Myself, friends, lovers and others
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face