Fotograf Magazine

Oreet Ashery

We Die As We Live: Repeating Chapters on Mutual Equality

For years, humor, irony and sharp critique have all been important elements in the art of Oreet Ashery, arising from her direct experience of an artist living in a multicultural environment who is originally from a more conservative background, socially and religiously speaking. However, the performative events through which Ashery imprints herself into public spaces are only one part of a complex series on dying and leaving public life, Revisiting Genesis, through which the artist expresses her position on the still overlooked and badly articulated theme of death.

To read the entire article, order
#38 death, when you think about it

#38 death, when you think about it


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