Carrie Mae Weems
The Personal is Political
Carrie Mae Weems is one of the key figures of American photography
who asserted themselves on the scene during the second half of the 20th
century, all strongly influenced by the dynamic social events of that time.
This is why it is no surprise that Weems cannot be labelled as an artist
without also recalling her activist side and the political subtext found in her
works. Weems, who originally studied dance, started taking photographs
when she was a member of a workers’ movement and used a camera to
track what was happening around her. She soon shifted her focus from
documentary to artistic photography, although documentary techniques
remained identifiable in her photos, particularly the earliest ones.
#32 non-work
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Content
- ––– Editorial
- Editorial
- ––– Introduction
- Introduction
- ––– Project
- Linear Doom
- ––– Profiles
- Carrie Mae Weems
- Agnieszka Polska
- Jakub Jansa
- José Antonio Hernández-Diez
- Jan Pfeiffer
- Daniela & Linda Dostálkovy
- Martina Mullaney
- Shawn Maximo
- Oliver Ressler
- Michele Borzoni
- Céline Berger
- Jirka Skála
- Danilo Correale
- Lars Tunbjörk
- ––– Interview
- Jennifer Lyn Morone with Tereza Jindrová
- ––– Discoveries
- Ines Karčáková
- Egemen Tuncer
- Luise Marchand
- ––– Theory
- The Aspirational Tourist Photographer
- Allan Sekula: Photography Between Discourse and Document
- ––– Events
- Photographs by Camera Clickers and Serious Amateurs
- MISS READ: Berlin Art Book Festival 2018
- Sicilian Lemons Actually Come from Burma Manifesta 12: The Planetary Garden
- ––– Fotograf Gallery
- Veronika Bromová, Dagmar Bromová and Pavel Brom
- Ondřej Vinš
- Viktor Kopasz
- Daniela & Linda Dostálková
- ––– Reviews
- The Poetic World of Everyday Life
- The Returns of Josef Koudelka
- Inadvertent Images: A History of Photographic Apparitions
- French History of Photography for the Twenty-First Century
- Tillmans' Jahresring 64
- A tribute to an (art)historian of photography
- The Temporality of (New) Media
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face