Danilo Correale
We’re Sorry for Making You Believe That We’re Truly Sorry
The work by Danilo Correale – an Italian artist living in New York – is
inspired and deals with the phenomena associated with the late capitalism
culture and neo-liberal system of labour. Although his work is not medially
anchored and includes paintings, installations, photography and videos,
it is dominated by new media. To the author, however, media are not
important as information carriers but as visual and textual means of
communication that convey his views on the current economic-political
system. Correale’s photographs sometimes show gestures and postures
seen in high politics or financial top management. This is the case of The
Future in their Hands (The Visible Hands, 2012) and the Cat Bond Gang
(2013) photo series. Both the projects include detailed photographic
cut-outs of body parts accompanied with text. The first series shows the
palms of six influential men from the world of politics and finance, captured
in gestures reminiscent of oaths or vote. For the second series, the artist
took photographs of shareholders of an important insurance company. To
protect their personal data, he left out the faces and used only the closeups
of necks in tight ties. None of the projects is purely photographic. In
The Future in their Hands, Correale collaborated with an Indian prophet
who tried to read the palms of the six men to define their characters that
seem to be lost behind their work roles, making crucial decisions on behalf
of the institution whose power they use. To take pictures of the necks
in suits in Cat Bond Gang, the artist bought a share of a company that
allowed him to take part in shareholder meetings. The pictures of the necks
in suits are completed with colourful rectangles – always matching the
tones of the ties – and texts evoking advertising slogans. In the context of
the pictures, however, the slogans sound ironic and they would even seem
amusing if they did not express sad truths: “Not all of us have to pay their
debts, just some of us do” or: “Telling the truth is revolutionary”.
#32 non-work
Content
- ––– Editorial
- Editorial
- ––– Introduction
- Introduction
- ––– Project
- Linear Doom
- ––– Profiles
- Carrie Mae Weems
- Agnieszka Polska
- Jakub Jansa
- José Antonio Hernández-Diez
- Jan Pfeiffer
- Daniela & Linda Dostálkovy
- Martina Mullaney
- Shawn Maximo
- Oliver Ressler
- Michele Borzoni
- Céline Berger
- Jirka Skála
- Danilo Correale
- Lars Tunbjörk
- ––– Interview
- Jennifer Lyn Morone with Tereza Jindrová
- ––– Discoveries
- Ines Karčáková
- Egemen Tuncer
- Luise Marchand
- ––– Theory
- The Aspirational Tourist Photographer
- Allan Sekula: Photography Between Discourse and Document
- ––– Events
- Photographs by Camera Clickers and Serious Amateurs
- MISS READ: Berlin Art Book Festival 2018
- Sicilian Lemons Actually Come from Burma Manifesta 12: The Planetary Garden
- ––– Fotograf Gallery
- Veronika Bromová, Dagmar Bromová and Pavel Brom
- Ondřej Vinš
- Viktor Kopasz
- Daniela & Linda Dostálková
- ––– Reviews
- The Poetic World of Everyday Life
- The Returns of Josef Koudelka
- Inadvertent Images: A History of Photographic Apparitions
- French History of Photography for the Twenty-First Century
- Tillmans' Jahresring 64
- A tribute to an (art)historian of photography
- The Temporality of (New) Media
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face