Jiří Šigut
Seeking and the Importance of Being Able to discern in the Age of Artificial Worlds. A Contemplation on the Cornerstones of the Current work of Jiří Šigut
Towards the end of his book The Dialectic of Modernism and Postmodernism: The Critique of Reason since Adorno,[ref] Albrecht Wellmer, „The Dialectic of Modernism and Postmodernism: The Critique of Reason since Adorno,“ The Persistence of Modernity: Essays on Aesthetics, Ethics and Postmodernism, trans. D Midgley, (Cambridge: Polity Press, 1993). [/ref] the philosopher Albrecht Wellmer embarks on a contemplation of the notion of “seeking.” He relates this to a new re-definition of post-modernism, imagining it as an “attempt to record the traces of change,” an effort to prevent post-modernism from becoming a mere fad, a form of regression or a new type of ideology. In other words, “seeking” is a defence against the sense of artificiality inherent to and projected by post-modernism. The Seeker is someone whose relentless creative endeavour and activity breaks through into areas where we can catch a glimpse of the unknown, pointing towards paths in a direction which had previously seemed closed, exhausted, or done to death by previous generations. From the perspective of the mid-1980s, Wellmer wrote about the necessity for “reason to transcend itself” in art, and about the dialectic (i.e. coherent in its contradictions) relationship between the vital art (“energetics” = e. g. activism, performance art) and semiotic art (“semiotics” = art articulated in a material medium through signs and their structures). Vital art without the semiotic element is one-dimensional, as with the mere realization of a material artifact devoid of “energetic” potential. Both are therefore important and both combine to form a unity. In order for contemporary art to be authentic and yet in touch with the present day, it must move beyond this restrictive one-dimensionality. This is not necessarily a question of the output – i.e. the resultant artifact, but should rather be a question of a shift in thinking, for as it is becoming obvious with the rise of new technologies and their overspill, which in turn reduces our thought processes and activity, human thought is a far more complex process than it has hitherto seemed – since forms of thinking may include ways of attaining experience that have been artificially excluded from thought and integrated instead within other areas of human activity.
#23 artificial worlds
Content
- ––– Profiles
- Lev Manovich
- Jerzy Olek
- Julie Cockburn
- Kateřina Zochová
- Jakub Nepraš
- Jörg Sasse
- Maxime Guyon
- Masha Ru
- Tomáš Lumpe
- Jiří Šigut
- Linda Čihařová
- Geert Goiris
- Roman Schramm
- Gottfried Jäger
- Václav Cigler
- ––– Interview
- With Pavel Smetana and Ivor Diosi on Artificial Worlds and Image Manipulation
- ––– Discoveries
- Iveta Kulhavá
- Kasia Klimpel
- Petra Hudcová
- ––– Theory
- Photographic Image as (non)-Art and the Limits of Artificial Worlds
- ––– Events
- Paris Photo 2013
- Heaven on Earth or "About a Chair"
- ––– Fotograf Gallery
- Silvie Milková
- Petr Strouhal
- Erik Sikora
- Zines of the Zone
- ––– Reviews
- Jiří Toman
- History of Light
- Tell the Truth, but Tell It Slant
- Jaromír Funke
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face