Robert Carrithers
Interviewed by Pavel Banka
Pavel: I read from your bio that you started as an actor and performer. You then gradually became involved in creative collaborations with theatres, music clubs and visual art centers. You eventually began to photograph and film the events that you were involved with and developed quite a unique multi-media career. What was the main reason for you to start with photography?”
Robert: I had a background with photography. When I was growing up in Chicago I came across a book by the photographer Diane Arbus and could not stop looking at her unique photo portraits. She was able to go into people’s lives and worlds and somehow capture it. She truly inspired me and I began taking photographs in Chicago. I started to take it more serious and I studied photography at Columbia University in Chicago. At the same time I was also studying acting in Chicago. I was always interested in going into the other worlds of people and I felt I could do this through acting and photography.I moved to New York to pursue an acting career. I studied at various acting schools and did a lot of Off-Broadway theatre. I went out to music clubs and met a lot of people with extremely strong personalities. I was attracted to them because of the way they expressed themselves with their creativity. I also liked how they dressed and behaved. I wanted to be a part of that world. Through this, I was led me to clubs where people were performing and expressing themselves in new special ways. I was swept away with this creative scene. I found that I could express myself the way that I wanted and discovered my own voice for my ideas.
#17 Amateur Photography
Content
- ––– Profiles
- Martin Fryč
- Ivars Gravlejs
- Vojtěch Marek
- Václav Tvarůžka
- Viktor Frešo
- Jan Krhovský
- Jan Freiberg
- Lucie Králová
- Robert Carrithers
- Jáchym Kliment
- František Dostál
- Lucia Nimcová
- Joachim Schmid
- Miroslav Tichý
- Rudo Prekop
- Karel Kašpařík
- ––– Theory
- An Amateur: Noble Spirit - Flag Carrier - Outsider
- ––– Events
- 10th International Festival of Photography in Łódź
- ––– Reviews
- Mutating Medium: Gesture of Generational Oversaturation?
- Gianfranco Sanguinetti: Miroslav Tichý - Les Formes du Vrai / Forms of Truth. Kant, Prague 2010
- Pictorialism / Photography as Art 1890-1914
- Světlu vstříc / Towards Light
- The Mystical City of Viktor Kolář
- ––– History
- The Splendeurs et Miséres of the Hinges of Historiography
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face