Frederick Kiesler
Film in the Architecture of the Cinema
On February 1, 1929, the Film Guild Cinema opened at 52 W. 8th St. in Greenwich Village, New York City. In the promotion materials, invitation and short press releases published on the occasion of its inauguration, it was billed as The First 100% Cinema in the United States. The exterior of the plain dark two-storey building with a raised ground floor was structured merely by windows and plastic geometric phasing. The latter was achieved by means of light prisms which formed the decorative construction of the facade. The opening of the cinema was attended by New York’s artistic and social elite of the period, including film director David W. Griffith, writer Theodore Dreiser and composer George Gershwin. With its hall seating 500 spectators, which was rather small for period conditions, the new building was commissioned by the Film Arts Guild. The Guild specialized in importing art films and experimental films from abroad, presenting them through American distribution. The investment in the new space was not linked to the vision of the transformation of the cinematographic system but rather to the increase of the number of cinemas in the city’s downtown and to the promotion of European modernism.
#19 Film
Content
- ––– Profiles
- Jan Brož
- Martin Kohout
- Mathias Poledna
- Tomáš Svoboda
- Martin Arnold
- Józef Robakowski
- Ville Lenkkeri
- Isabell Heimerdinger
- Anna Balážová & Katarína Hládeková
- Boris Rjeznikov
- Dorothee von Rechenberg
- Jiří Kotrla
- Lucia Sceranková
- David Lamelas
- Filip Cenek & Tereza Sochorová
- Viktor Takáč
- Candida Höfer
- Frederick Kiesler
- ––– Theory
- Photography's Expanded Field
- ––– Reviews
- A Photographic Exhibition, but Rather One of Paintings...
- The Message of a Forgotten Photographer
- The Poete Maudit of Photography
- Here at Last! - Czech Photography 1938-2000 in Reviews, Texts and Documents
- From the Rhetoric of the Image to Notes on the Index
- Dagmar Hochová
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face