Security Service Archive
Normalisation Snapshots
Nine staff members had a total of three cars at their disposal – a blue Škoda110, a white Škoda110, and a greyish-blue Renault 16. The surveillance was taken over by a second group, consisting of nine members of the secret police. They used three personal vehicles (a beige Renault 16, a burgundy Alfa Romeo and a white Škoda 110) as well as one mobile base station – a Škoda 1203. The driver of the Škoda 1203 had thinning hair and was wearing blue coveralls. A total of twenty members of the secret police took turns carrying out the surveillance activities. One part of the team drank four coffees and four juices in the restaurant. A total of sixteen snapshots were taken and six cars were driven a total of 140 kilometres. This mechanical, unemotional type of documentation was standard for the organised operations during which the state’s paparazzi followed strictly defined rules for intervening in the lives of Czechoslovak citizens during the period of normalisation – for example, in the lives of those who dared to use cyclostyles to replicate banned culture. The photos they took, shot from the hip, without any awareness of composition, should never have been allowed to leave the archives of the Surveillance Directorate. However, long after the fall of the Communist regime, they provide a unique document of daily life.
#27 cars
Content
- ––– Project
- Jiří Hladík
- ––– Profiles
- Vojtěch Novák
- Wolfgang Tillmans
- Edgar Martins
- Vladimir Nikolic
- Zygmunt Rytka
- Security Service Archive
- Roman Ondák
- Michal Czanderle
- Šimon Levitner & David Střeleček
- Richard Prince
- Lukáš Jasanský & Martin Polák
- The Atlas Group / Walid Raad
- Václav Jirásek
- Bohdan Holomíček
- Jiří Dufek
- Jiří Hanzelka & Miroslav Zikmund
- ––– Discoveries
- Suzette Bross
- Miroslava Večeřová
- Alžběta Kočvarová
- ––– Theory
- Flying Cars?
- Auto-maticity: Ruscha and Performative Photography
- ––– Events
- Paris Photo 2015
- ––– Fotograf Gallery
- Frontiers of Solitude
- Šimon Štrba
- Adam Havelka, Eva Rybářová, Matěj Pavlík, Jan Kováříček
- Josef Rabara a Karol Radziszewski
- ––– Reviews
- Not only about the Model's Dirty Feet in the photo by Christopher Williams
- Pavel Dias: Photographs 1956-2015
- Pavel Mára Photographs1969-2014
- Across America at the Speed of a Camera Shutter Release
- Jan Svoboda: I'm Not a Photographer
- Photography: An Ontological Calling Card
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face