Katarína Dubovská
Intertwined Conditions
The multimedia installation Intertwined Conditions comprises five clusters of condensed image fragments, water containers with printing ink extracted from visual material, a hybrid transfer print, oxygen tubes, four video clips with sound, particleboard covered in wall paint and a section of scaffolding. Dimension variable. Exhibition view at ASPN Leipzig.
I use imagery as concrete material and matter that I examine and dissect. I appropriate, stretch, compress, tilt and bend the image bodies. I cut out and shift. I knead, filter, mash, mix, squeeze and distil until everything erodes, mutates, transforms and fluctuates. I describe myself as a hybrid of an artist, photographer, sculptor, sociologist, molecular biologist, archaeologist, philosopher and feminist. Against the background of the current flood of images and visual information, I investigate (photo-technically) generated images as mutable, circulating and omnipresent components of our (digitalised) environment in a late capitalist system.
#41 postdigital photography
Content
- ––– Poem
- Audun Mortensen
- ––– Intro
- Audun Mortensen
- postdigital photography
- ––– Topic
- Do Algorithms Dream of Portraits of Their Own Mothers?
- ––– Wanted
- Yulia Krivich
- Katarína Dubovská
- Jiří Procházka
- ––– Project
- Sonja Nilsson
- Oskar Helcel
- Karel Slach
- ––– Profiles
- Sanaz Sohrabi
- Lawrence Abu Hamdan
- Bára Mrázková
- Chloé Galibert-Laîné
- Agnieszka Sejud
- Eva and Franco Mattes
- Look at This Macedonian
- Filip Láb
- ––– Interview
- Photographing Flavors
- Beyond any difference:
- ––– Theory
- the horrors of postdigital photography
- ––– Events
- ScreenSaverGallery
- ––– Institution profile
- Harun Farocki Institute, Berlin
- ––– Exhibition
- Critical Zones: A Hauntological Extrospection of the World
- ––– Book reviews
- Myšlení hranice / hranice myšlení
- Myšlení hranice / hranice myšlení
- Slanted #37: Artificial Intelligence
- Theater of the Street
- Capitalism and the Camera
- Pause. Fervour. Reflexions on a Pandemic
- Photography Off the Scale: Technologies and Theories of the Mass Image
- ––– Artist's Books
- Fortepan Masters. Collective Photography in the 20th Century
- I Am Warning You
- Pass It On. Private Stories, Public Histories
- Flower Smuggler
- Mirrored
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face