Karel Slach
Paths of Vysočina 2020
Despite his lifelong relationship with the analogue camera, Karel Slach (born in Tábor on December 17th 1940), primarily a cameraman and documentary film maker, has, in recent years, found his place in the field of digital photography. He selected a simple but functional method of recording a point – strategically important to him – in the landscape of Vysočina (a region also known as the Bohemian-Moravian Highlands). Elementary records of moods and atmospheres in the alternation of the seasons through the landscape are transformed by Slach into the square code of image maps. With his own personal approach to depicting microsituations and gestures, he thus creates exceptionally complex records of situations in the landscape in a constant flow of time. He thus explores and mediates to us a complex relationship to himself, to the landscape, and to the most elementary nuances of the laws of nature that touch each of us.
#41 postdigital photography
Content
- ––– Poem
- Audun Mortensen
- ––– Intro
- Audun Mortensen
- postdigital photography
- ––– Topic
- Do Algorithms Dream of Portraits of Their Own Mothers?
- ––– Wanted
- Yulia Krivich
- Katarína Dubovská
- Jiří Procházka
- ––– Project
- Sonja Nilsson
- Oskar Helcel
- Karel Slach
- ––– Profiles
- Sanaz Sohrabi
- Lawrence Abu Hamdan
- Bára Mrázková
- Chloé Galibert-Laîné
- Agnieszka Sejud
- Eva and Franco Mattes
- Look at This Macedonian
- Filip Láb
- ––– Interview
- Photographing Flavors
- Beyond any difference:
- ––– Theory
- the horrors of postdigital photography
- ––– Events
- ScreenSaverGallery
- ––– Institution profile
- Harun Farocki Institute, Berlin
- ––– Exhibition
- Critical Zones: A Hauntological Extrospection of the World
- ––– Book reviews
- Myšlení hranice / hranice myšlení
- Myšlení hranice / hranice myšlení
- Slanted #37: Artificial Intelligence
- Theater of the Street
- Capitalism and the Camera
- Pause. Fervour. Reflexions on a Pandemic
- Photography Off the Scale: Technologies and Theories of the Mass Image
- ––– Artist's Books
- Fortepan Masters. Collective Photography in the 20th Century
- I Am Warning You
- Pass It On. Private Stories, Public Histories
- Flower Smuggler
- Mirrored
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face