Harun Farocki Institute, Berlin
Pavlína Vogelová
The Harun Farocki Institute (HaFI) can be understood as a specific living archive as well as an active research platform for visual artists and art historians and theorists. It is a dynamic environment for analytical thinking within the process of the transformation of image perception, the idea for which was given by Farocki himself (1944–2014) with his specific approach to image communication already in 1976. The current Harun Farocki Institute in Berlin (HaFI), which was established in 2015, continues in the same spirit. It stresses the continuity of systematic research into media, image and society with reference to Farocki’s film and theoretical work. HaFI initiates and supports new research, residencies, publication and exhibition projects that could advance and refine the reflection of Farocki’s work. Their basis is a connection to topics or approaches grounded in a critical analysis of one’s own subjectivity towards the social spectacle.
#41 postdigital photography
Content
- ––– Poem
- Audun Mortensen
- ––– Intro
- Audun Mortensen
- postdigital photography
- ––– Topic
- Do Algorithms Dream of Portraits of Their Own Mothers?
- ––– Wanted
- Yulia Krivich
- Katarína Dubovská
- Jiří Procházka
- ––– Project
- Sonja Nilsson
- Oskar Helcel
- Karel Slach
- ––– Profiles
- Sanaz Sohrabi
- Lawrence Abu Hamdan
- Bára Mrázková
- Chloé Galibert-Laîné
- Agnieszka Sejud
- Eva and Franco Mattes
- Look at This Macedonian
- Filip Láb
- ––– Interview
- Photographing Flavors
- Beyond any difference:
- ––– Theory
- the horrors of postdigital photography
- ––– Events
- ScreenSaverGallery
- ––– Institution profile
- Harun Farocki Institute, Berlin
- ––– Exhibition
- Critical Zones: A Hauntological Extrospection of the World
- ––– Book reviews
- Myšlení hranice / hranice myšlení
- Myšlení hranice / hranice myšlení
- Slanted #37: Artificial Intelligence
- Theater of the Street
- Capitalism and the Camera
- Pause. Fervour. Reflexions on a Pandemic
- Photography Off the Scale: Technologies and Theories of the Mass Image
- ––– Artist's Books
- Fortepan Masters. Collective Photography in the 20th Century
- I Am Warning You
- Pass It On. Private Stories, Public Histories
- Flower Smuggler
- Mirrored
Archive
- #45 hypertension
- #44 empathy
- #43 collecting
- #42 food
- #41 postdigital photography
- #40 earthlings
- #39 delight, pain
- #38 death, when you think about it
- #37 uneven ground
- #36 new utopias
- #35 living with humans
- #34 archaeology of euphoria
- #33 investigation
- #32 Non-work
- #31 Body
- #30 Eye In The Sky
- #29 Contemplation
- #28 Cultura / Natura
- #27 Cars
- #26 Documentary Strategies
- #25 Popular Music
- #24 Seeing Is Believing
- #23 Artificial Worlds
- #22 Image and Text
- #21 On Photography
- #20 Public Art
- #19 Film
- #18 80'
- #17 Amateur Photography
- #16 Photography and Painting
- #15 Prague
- #14 Commerce
- #13 Family
- #12 Reconstruction
- #11 Performance
- #10 Eroticon
- #9 Architecture
- #8 Landscape
- #7 New Staged Photography
- #6 The Recycle Image
- #5 Borders Of Documentary
- #4 Intimacy
- #3 Transforming Of Symbol
- #2 Collective Authorship
- #1 Face